JULIA HUNGRY is a communion and reckoning with form--a female poet's apprenticeship to the male-dominated canon of twentieth century verse, part love-affair and part fencing match with its forebears. Inherited forms are intact almost to a fault but flooded with femininity as if in an attempt to rinse them out; in kind, the poems are laced with uneasy domesticity--a current of tension which begins inside the home and expands over the course of the book, eventually reaching a global scale. There, fully haunted by the music of the past, JULIA HUNGRY peers into the future, asking questions about reclamation and survival.
"Couplets: A Love Story" by Maggie Millner
A woman lives an ordinary life in Brooklyn. She has a boyfriend. They share a cat. She writes poems in the prevailing style. She also has dreams: of being seduced by a throng of older women, of kissing a friend in a dorm-room closet. But the dreams are private, not real. One night, she meets another woman at a bar, and an escape hatch swings open in the floor of her life. She falls into a consuming affair--into queerness, polyamory, kink, power and loss, humiliation and freedom, and an enormous surge of desire that lets her leave herself behind.
"The Book of Men" by Dorianne Laux
Dorianne Laux's fifth collection of poetry peels back time to the summer of love and the Vietnam War. Her keen hindsight uncovers the humanity at the center of conflict with language that goes straight to the heart. This work stands as an elegy for the loss of innocence, an homage to the glimmer underneath the urban grunge, and a love song to the imperfections that unite and divide us. Laux possesses what Tony Hoagland calls "the brave art of looking," with an immediate and compassionate touch.
"Sex Depression Animals: Poems" by Mag Gabbert
"Mortal Trash: Poems" by Kim Addonizio
Passionate and irreverent, Mortal Trash transports the readers into a world of wit, lament, and desire. In a section called "Over the Bright and Darkened Lands," canonical poems are torqued into new shapes. "Except Thou Ravish Me," reimagines John Donne's famous "Batter my heart, Three-person'd God" as told from the perspective of a victim of domestic violence. Like Pablo Neruda, Addonizio hears "a swarm of objects that call without being answered" hospital crash carts, lawn gnomes, Evian bottles, wind-up Christmas creches, edible panties, cracked mirrors. Whether comic, elegiac, or ironic, the poems in Mortal Trash remind us of the beauty and absurdity of our time on earth.
A book of bravado and introspection, of feminist swagger and harrowing loss, this fourth collection considers how we build our identities out of place and human contact--tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth, and falls in love. Ada Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a "huge beating genius machine" striving to embrace and understand the fullness of the present moment. "I am beautiful. I am full of love. I am dying," the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds, and Mark Doty, Limón's work is consistently generous, accessible, and "effortlessly lyrical" (New York Times)--though every observed moment feels complexly thought, felt, and lived.